The contemporary opera “Figaro” by Bernese composer Christian Henking and Biel librettist Raphael Urweider was very well received at its premiere in Biel. Based on Beaumarchais’ classic play, the 2014 score successfully attempts to merge seemingly contradictory elements. It shatters traditional genre boundaries and explores entirely new musical territory, while simultaneously paying homage to Mozart and Rossini by weaving in fragments from their famous operas.
The performance’s success is largely driven by the fast-paced and highly energetic staging by director Andreas Zimmermann. Featuring Fellini-esque visual imagery, the characters are constantly dressing, undressing, dancing, and flirting. The production deliberately challenges the audience with provocative texts, vulgar language, unexpected boxing ring scenes, and modern rap interludes that brilliantly shake up the dusty, traditional operatic routine.
The Biel Symphony Orchestra, firmly conducted by Jürg Henneberger, brilliantly navigates the highly demanding and richly contrasting score. The vocal soloists, including the crystal-clear soprano Céline Steudler and alto Judith Lüpold, deliver dazzling acrobatic performances, proving that contemporary opera is truly meant to surprise.
